It’s time to round up the year in more ways than one. Our advertising agency Honesty’s first fiscal year just ended a month ago, and I’ve been treating myself to some well deserved vacation on a sailboat in the Stockholm archipelago. And for those of you who have never been here, it’s quite a place:

It has been a strange but amazing year. Definitely tough. Probably the toughest year of my life. In February 2009 I had just left McCann (been fired is probably a more accurate description actually, I was a bit of a pain). I was on the street with no job, no financial stability to speak of and, in the typical ironic style of the game of life, no voice since I had throat surgery planned for the day after I left McCann. I couldn’t even call anybody to tell them about my predicament. Probably just as well as I was pretty high on painkillers as you can see below. Nevertheless it was what one could call bad timing.

At this point all options were open. I guess I could have joined another agency, I could have left the business altogether for something else, or… I could start something of my own. But as I was laying there in the hospital bed, I made a decision. I knew the concept we had at Verymuchlogo (the agency I left) was basically right, though somewhat crude, but the project was slightly off center in the staffing since we were missing an important piece of the Ocean’s 11 team and we were lacking the right production philosophy. Now was the time to make it all perfect from the start. But it was not going to be an easy ride.

In February 2009, still with pain in my throat and strong painkillers to fight it, I filed all the papers to start the advertising agency Honesty. To this day, I still have the original sign on the door of my apartment.

Shortly thereafter I moved into Honesty’s first office located in Forsman & Bodenfors’ old office on Hötorget in Stockholm.

Here I was hanging out with amazing people like Louise Hamilton and Daniel Jouseff, ping-ponging ideas and meeting tons of people.

Great meetings were held with everything from creatives and strategists to potential financiers and clients. The office was an expensive place for only one person to pay for, but looking back, it turned out that it actually paid for itself many times over.

And it was an important time, albeit painful – being on my own like that was a quite scary experience since I had nobody but myself to rely on for basic stuff like food and rent. It was important because it forced me out on the ledge. If I would have taken the safe route, Honesty would have been dead and gone a long time ago. Instead, I spent time digging through our industry and surrounding industries, like SEO, social media consulting and business consulting, to figure out what was being done right and wrong in our industry, or put into business terms – where the inefficiencies were that could be exploited. I saw (and see) the music industry as related and wrote a lot about that too back then. Check out the walternaeslund.com blog posts from February here.

Besides doing some smaller consulting gigs to stay afloat, my persistent bloggin was starting to pay off with more readers coming in every day and public speaking gigs starting to pop up, both in Sweden and abroad. I fell in love with the stage and it’s still a great marriage!

I also helped out as a consultant where I could. One of these gigs that I’m really happy and proud to have been a part of was the “Sweden’s Most Swedish Job”-campaign that Syrup planned for during the spring and executed in the summer. It was an awesome campaign, not least PR-wise, where we sent around a guy all over Sweden to rediscover the country and stay at STF’s (the client’s) hostels.

It was also an opportunity for me to work with the fantastic Henrik Frenne who is, by the way, a one-man-agency in himself. (Grab him if you can afford him).

My lifestyle at this point was anything but luxurious. All my money went to my expensive office and pitch projects and living expenses. There was one exception however: Our oyster Thursdays. Here me and my friends met up for oysters and discussed life. These Thursdays did chip away on my lean budget, but still I really think they helped keep me sane.

Around this time we started to throwing the epic Daniel & Walter-parties at the Stockholm club Collage. At least we thought they were epic. We always had a great dinner at the club before firing up the turntables and partying until 2-ish. Also a great way to keep my spirits and creativity up (we had a new theme every week).

Summer came. In many ways this was a huge frustration. The ad business slowed down and went into vacation state. All I wanted to do was work, but things around me were slow. Looking back I can see that this was actually really good. I fixed up my apartment and read up on a lot of stuff that I didn’t have time for before, like evolutionary psychology and the psychology of attraction, themes that are now at the core of my lecturing and overall strategy.

In September I wrote a blog post that exploded like a bomb. The post was about Forsman & Bodenfors’ campaign for The Church of Sweden and was intended as a clear and good example to show what happens when you design for man as man was fifteen years ago, in the pre-Google era, rather than designing for man as man is today, including the augmentation of the mind that search engines provide. Over the course of that week, my blog traffic doubled, tripled and quadroupled before hitting the Swedish advertising press in the form of an article in Resumé. At most I had six times my ordinary traffic on the blog going to that particular article. A week later I wrote about Lowe Brindfors’ new site, just to show that it is really not a Forsman & Bodenfors problem but an industry problem. Agencies need to get on the bus and design for man as man is today! During those two weeks, we had tons of traffic to the agency site as well, with all the big agencies topping our visitor charts. That week several of the biggest agencies where out searching for SEO-experts to hire. Ironically, we ended up on the top list of SEO-consultancies only some weeks later. The question I always get asked is whether the posts were a PR-trick or not, and my answer is: not really. I just told things as they were. Including screen shots. Sometimes a simple truth carries a long way.

Later that fall all the remaining 5 partners in the planned Ocean’s 11 team had signed on to the project, had gotten on board and received their shares. By October we were up and running. The old place was now way small and we moved into Honesty office #2 in Hornstull.

We were pitching small stuff and bigger stuff and were on a winning streak. To date we have withdrawn from two pitches and won the rest. Such an amazing payoff for all this hard work.

One of the ones we withdrew from was for, wait for it, the presidential campaign in the Philippines. That’s one you don’t do every day. This amazing ride was a great adventure including a week long very intense trip to Manila.

Instead we got to work on a dream project with one of my favorite designers Stefan Sagmeister and went over to New York to meet up and do workshops.

I’ve been a fan of his work on stuff for everything from superstars like Lou Reed and The Rolling Stones to small fun projects for a long time and also felt much appreciation for his philosophy and view on life. You can check him out speaking at TED.com here:

As a bonus, I also discovered and fell in love with Ace Hotel in New York. Fantastic place and a place I keep coming back to.

Things were starting to pick up speed now at Honesty. We added two employees to the staff, one art director and one account manager, and some freelancers and just pushed on full speed ahead. Before long we had outgrown Honesty office #2 as well.

By now we had won the accounts for Halebop and Stena Metall along with a bunch of other smaller accounts, and moved into our present space near Mariatorget: Honesty office #3.

This was a perfect stop for us where we could regroup and search for a perfect space without being too crammed. We have a couple of ideas for where our next space Honesty office #4 should be but haven’t quite decided yet.

Our first fiscal year, which was actually a year and a half, was closed on the last of June. Most of our real business has taken place from February, and that was an important lesson: it takes some time to start an advertising agency from scratch without financing. But when I got those books in my lap I was real proud, of myself, of my partners, and of everybody else who have made this happen. It’s just f*#!n cool that we could make it happen.

Before summer started I bought a piano. I was worth it. That’s where I sit down when I come home from work to clear my head before writing to you. It’s been an amazing year and an amazing ride. If you ever get the chance to do something like this, then do it! And if you don’t get a chance like that, make one.

When I got fired I called my mentor Magnus to tell him the news (well… I couldn’t talk remember, so i mumbled and whispered). I remember very clearly his reaction: “Walter – that’s GREAT news! It’s probably the best thing that has happened to you since puberty!”.

I guess he was right.

Have a great day!

It’s been an amazing past couple of weeks! Apart from the clients we already work with, we have now won not one, but two major long running pitches and are now the strategic lead agency for both Stena Metall and Halebop.Stena Metall is a big and extremely competent recycling company. In a world full of greenwashing and wishful thinking, Stena Metall is a company that actually delivers what other companies only talk about. What is charity to many companies is core business for Stena metall, and that’s a communicative truth if there ever was one! We’re also really happy to have the Gothenburg-based agency Stendahls as a partner in this venture helping us with local production, organization of sales material, sales offers and much more (Stena are also Gothenburg-based). Don’t know what we would do without you guys.Halebop is an awesome brand delivering mobile telephony to the young and beautiful people of the underworld (well… of Sweden rather, but you know what I mean…). Halebop is one of the most consequently executed brands in Sweden and one that has THE most satisfied customers in the industry. It’s one of those accounts that just has it all. Thank you for choosing us! We’re really glad to have you as partners. Because that’s what you are – partners – not merely another client. *Love*

In many ways, these two brands are on completely different ends of the scale, but there are also key similarities: they both incredibly passionate about what they do, and they both have genuine communicative true values at the core of their operations. We always talk about finding the communicative truth, and with these brands, we didn’t have to dig deep to find it.

Again, we’re really proud to have been chosen to represent you. We know our competition was tough and that you had plenty of great options to choose from. Thank you! And cheers!

Suddenly the news drop like a bomb. The big yearly price comparison on groceries organized by the National Penioners’ Association in Sweden was rigged by many of the store chains – and the one chain that usually wins was the worst offender. Suddenly no quirky traditional television commercial will help, because suddenly truth showed up at your door step. The point? Focus on what drives the bottom line, not what drives advertising awards. Oh, and never lie.

Last week I wrote about how Forsman & Bodenfors don’t understand how the internet works. In absolute terms, the description was fair, but in relative terms, they are not worse than most of the advertising business. Yesterday we got another painfull piece of evidence to that effect.

I’m talking about the brand new website of Lowe Brindfors. But to discuss the site we need to separate two things: Design and communications efficiency.

Design

It’s a matter of taste of course, but I think this page is very well designed from a print designers point of view. It’s excellent print design, but awful interactive design. Because it is not interactive. It’s like designing a very pretty car with only passenger seats. And just like such a beautiful but useless car, this site belongs in a museum. Which leads me into point 2:

Communications Efficiency

This thing is a very pretty printed catalogue in digital format. It’s what websites were in the late 90′s. The entire thing is a big Flash-page, with text that you cannot copy, films you cannot share, posters that you can download as PDFs (!) but not share with anyone, and invisible coworkers that you can only reach via email or telephone. No wonder they have this disclaimer on the site:

Apparently they think that the elusive internet out there is about technology and gadgets, which couldn’t be further from the truth. Because really, these new technologies are VEHICLES of ideas. Nothing else. But the ideas have to be made for a world of transparency, not to fill expensive media plans. And for you to come up with such ideas, you have to know how this transparent world functions.

Search and SEO is ONE important aspect to understand in order to get people “to spend time with the brand” (to use Lowe Brindfors’ own terminology), and this is what the brand new Lowe Brindfors site looks like to Google:

According to Google, what’s most interesting about the new Lowe Brindfors site seems to be their webmail (!), followed by pages from their old site, and a PDF press-release from August 2008.

Disclaiming your way out of obvious lack of knowledge about the psychology and behavior on the internet with something general like a “Hey, boy slow it down”-disclaimer becomes embarrassing when confronted with clients who know the internet – something that becomes more and more common every day thanks to knowledgeable rebels and speakers on the topic like Johan Ronnestam, Simon Sundén, and Björn Alberts, just to name a few. [Edit: + Jesper Åström]

Things don’t improve when I read what Peter Willebrand our Swedish ad-business press Resumé has to say about the new site:

“Resume.se thankfully notes that the trend is the same as in other digital communication: simpler, faster, and more head on”.

This statement is very general, and also wrong. The site isn’t fast. It’s a heavy Flash film with a loader from hell. The trend of the internet is not “simpler, faster, and more head on”. The trend, or rather the permanent shift, is to social participation in dynamically coordinated institution-less groups, which means that a site needs to support that behavior. You need to love people, not just say you love them. The new thing about the internet is not that people can now talk back to you, it is that everybody can talk to everybody and coordinate discussions and topics without necessarily involving you. If anything, this is more complex, not simpler. Grasping the entire strategy for this more complex system requires a more diverse skill set ranging from behavioral psychology to technology.

The bottom line is that you can have the prettiest house in the world, but to make friends, you have to meet them. Or else you’ll end up being very lonely.

It’s now official. Supercar maker Koenigsegg buys Saab and turns the sleepy techy brand into something completely different. Because even tough Saab has had a sporty aura over it, and a reputation as a fun car to drive, it has had kind of a geeky aroma as well. Koenigsegg adds flair to it, and one cannot help but wonder what on earth they have in mind now.

Saab has just gone from one of those brands that I would have been reluctant to work with to being one of the most interesting ones. They have incorporated a communicative truth into the brand that they can now work out of instead of trying to ad layers of gold to the outer shell with pop songs and fighter jets. And as you know, Honesty is all about communicative truths.

Beware Brindfors.

Last week I announced that I will be speaking at the Bring Dialogue Conference this summer, a speaking opportunity that I’m very excited about.

Today I’m proud to announce that I will also be making the opening keynote adress at the Esomar WM3 Conference to be held Sweden this year. At the Clarion Sign Hotel in Stockholm on May 5 to be exact.

I would like to thank the programme committee for choosing me, and also Mr. Anders Haraldsson, CEO at Norstat, Sweden and Tony Jarvis, Former EVP Global Research at Clear Channel Outdoor, USA for recommending me.

ESOMAR is the world organisation for enabling better research into markets, consumers and societies. With 5000 members in 100 countries, ESOMAR’s aim is to promote the value of market and opinion research and help effective decision-making.

Getting invited to any respectable conference is an honor, but this particular one got my juices flowing a little extra. The way I see it, measurements and research is one of the most important keys for the future of our industry. And I’m not saying this primarily because we need help evaluating our efforts and measure ROI, even though this is indeed very important (there was a heated debate here, here, here, and here about this in Sweden recently). I’m saying it because we need new eyes and ears to guide our communication efforts proactively.

Those of you who have seen my talks have heard me describe several communications strategies and tactics, one of which is what I refer to as “sailing”. I use this term to describe how to harness existing viral “winds” to propell your own topics. This method is just one example where there is no way of succeeding without excellent and very fast metrics. Generally I think that the use of proactive measurements is not given enough focus. This is just one example. There are several.

I am very much looking forward to this talk, which will be entitled “Truth, Transparency, and The Death of Privacy”, and I also warmly recommend registrering for the conference here.

Strike 1.
The first and perhaps the most important mistake in social media is to start out with what you want to say rather than what engages people. Sure, you might be on strategy with your message, but nobody will talk about it. You can’t take the classic advertising agency approach and buy yourself in, and thus you won’t exist.

Strike 2.
Bending the truth will guarantee long term failure. Honesty and transparency is key. Charlatans will be exposed.

Strike 3.
Staying safe means staying anomymous. If you remove the sharp edges there will be nothing to grab on to and nothing to care about. You need to move away from the middle of the road mediocrity to become remarkable. And if you’re not remarkable, you won’t be at all.

You’re out.

Björn Rietz is the new CEO for the Advertising Association of Sweden. I guess I should comment on that.

“The World is Changing” is perhaps one of the most worn out phrases in trend analysis. And it’s always true. But now, the rate of change for our context as marketing professionals act is extreme. Not surprisingly, since in the history of human interaction, there has been no disturbance of the same magnitude as the introduction of the internet. And even though the internet has been around for a while, it has now gone mainstream and truly interactive. Bending the truth is an obsolete strategy, while honesty reigns. The rules have changed. Most agencies haven’t. Yet. Therefore the choice for a new CEO for the AAS is crucial this time.

Björn retains respect from the men of power (yes they’re mostly men) in the industry. He is, to cut things short, a true ad man. But it seems to me that he also enters his new job with a humble attitude towards the changing reality. This is very promising. For instance, I hope he will take a really close look at Guldägget, which is on a dangerous path with strange categories and ludicrious rules. Among other things these rules state that you can’t report results of your campaign, but it has to have been published. This means clients are at risk for being lured into funding art projects.

Björn does talk about advertising being art, which is a shaky proposition. He refers here to how “the same part of the brain is used to produce poems an outdoor headline”, which is true, but doesn’t mean that advertising is art. I wrote my masters thesis on innovation management and involved myself heavily in how the parallell processing right side brain is about synthezis and innovation, of art, creative strategy, products and many other things. I hope this is what Björn meant. Art doesn’t require ROI.

That said I have high hopes for Björn! As a test, I will link to his blog here to see if he keeps track of his incoming links. If you are, Björn, I would also like to encourage you to mix your blog up with shorter posts and get a Twitter account. I can be your first friend at @walternaeslund.

Media independence is a very worn term in marketing. It’s been hyped to the skies by agencies and advertising tutors all over the world, and considered the holy grail by many.

They’re all wrong.

Back in the day when media was equal to mass media and television networks could have 40% rating shares, talking about media independence made sense. Today, the cannels are many, specialized and narrow. Talking about media independence in this new world is like using the same language regardless of country or culture.

The media channels are many and diverse, and they have different audiences. Many times the channels are not the channels at all – the content is. And you are still talking about media independence?

I would rather talk about channel orchestration, distributed marketing, and media dependence. The same product can very well be marketed in different ways to different audiences. It should be. When in Rome…

Our agency is highly media dependent. And channel orchestration is a key part of our strategic toolbox. Integrated marketing is not the holy grail, distributed niche marketing is.

I think that sometimes, we’re over-analyzing and under-synthesizing. We’re reading all these complicated books, finding advanced psychological explanations or statistical correlations. Sometimes old truths just need a dead simple but inspirational explanation to be interesting and valuable.

On some trip I went on a while back I bought a book in the airport bookstore. The book was called “The Undercover Economist”, and I read maybe half of it, and I just started reading the other half this morning. I found it interesting, even though it really didn’t present any new information that I didn’t know. It’s a very basic book, explaining economics and markets. So why did I keep reading?

I simply kept reading because it was interesting and fun. In college, I never found economics particularly interesting or fun, even though I thought so out in the real world. Today I blame that on boring books and teachers. I know now that economics are cool, because they’re an integral part of our reality. Like physics. But this book was interesting. Just because of the way the included information was synthesized.

I guess my point is that explaining something in an interesting way is so much more important than we’re giving it credit for. We need more rockstars in the educational system. Could that be a new frontier for advertisers?